Photojournalist Lynsey Addario on balancing work and family — when work is a war zone The Pulitzer Prize-winning photojournalist has been kidnapped and thrown from a car. Still, Addario says, parenting two young kids can be more challenging than war reporting. Sam Fragoso
Why some movies grow stale NPR's Marc Rivers and Mallory Yu revisit the movies that haven't aged well and explore why they fall apart on rewatch. Marc Rivers
This new movie about Russia's independent journalists is harrowing, but not hopeless My Undesirable Friends: Part I — Last Air in Moscow follows Russian journalists who report on the country's abuses. Reviewer Justin Chang calls it one of the most engrossing films he's seen all year. Justin Chang
There's reason to be optimistic about the the movies coming this holiday season A selective preview of the comedies, action adventures, dramas and awards contenders Hollywood has in store between Thanksgiving and the end of 2025. Bob Mondello
'Rental Family' star Brendan Fraser discusses his lifelong search for belonging In his new film, Fraser plays an actor in Tokyo who takes a job with a rental family service. It's based on a real phenomenon in Japan: companies where you can hire someone to fill a gap in your life. Tonya Mosley
What film has become your family's holiday ritual? NPR's Stephen Thompson and Kathryn Fink talk about the movies their families return to every holiday season and why those traditions stick. Kathryn Fink
Shakespeare's unhappy marriage takes center stage in 'Hamnet' A new film, adapted from Maggie O'Farrell's 2020 novel, posits that the death of Shakespeare's 11-year-old son may have inspired one of the greatest fictional tragedies ever written. Justin Chang
Marking 65 years of Hitchcock's 'Psycho' with actor Janet Leigh Leigh shares stories about Psycho, including the infamous shower scene. Also, screenwriter Evan Hunter talks about working with the Hitchcock on his next film, The Birds. Originally broadcast in 1999. Terry Gross
'Wicked: For Good' isn't as wicked good as the first film, but brings in a lot more gravity Dyer Oxley